Tag Archives: Padosan

Southern Spice in Hindi Music

Posted on October 24, 2016 by RSBAAB Ravi

Our wonderful world of Hindi film music absorbs, adapts and accommodates styles and influences from all over India and the world. In this post, I will highlight key aspects of South Indian music that have been absorbed in Hindi film … Continue reading →

Posted in Hindi film music, Orchestration and arrangements, Special themes | Tagged Aah, Amar, Andaz, AR Rahman, Ashiana, Baiju Bawra, Baradari, Dil Se, geet gaaya patahron ne, ghatam, Jiya Jale, Madan Mohan, Mausam hai aashiqana, morchung, morsing, mridang, mridangam, Naushad, Padosan, Pakeezah, Ramlal, SD Burman, Shanker-Jaikishen, South Indian Instruments, Taal, Taal se Taal mila, Talaash, Tere sadke balam, Udan Khatola | 9 Comments

Orthodox RD Burman

Posted on July 18, 2016 by RSBAAB Ravi

To me, RD Burman’s music has many more dimensions than mere ‘Hits of RD Burman’. I see RD Burman’s music in 3 dimensions. 1) First, he was an extremely talented and creative composer with a solid foundation in the orthodox … Continue reading →

Posted in Great music directors - Hindi, Hindi film music | Tagged Ajnabee, Amar Prem, Aradhana, Asha hits for R D Burman, Baharon ke sapne, Bombay to Goa, Buddha mil gaya, Caravan, Do Chor, Humshakal, Jheel ke us paar, Khushboo, Kishore Kumar and R D Burman, Lata and R D Burman, Lata hits of RD Burman, Manoranjan, mehbooba, mere jeevan saathi, Mere naina saawan bhadon, Padosan, Parichay, Pyar Ka mausam, R D Burman, r D Burman hits, R D Burman melodies, Raampur Ka Lakshman, Samadhi, Seeta aur Geeta, Sholay, songs from Sholay, Teesri Manzil, The train | 11 Comments

Bells and Whistles

Posted on September 15, 2015 by RSBAAB Ravi

“Bells and Whistles” is a popular English idiom. It means extra or fancy add-ons. For example, we often say “this phone or computer comes with many bells and whistles”; meaning a lot of extra features that may not be really … Continue reading →

Posted in Hindi film music, Orchestration and arrangements, Special themes | Tagged Aarop, Anand, Bells, Bells and Whistles, Bells and Whistles in Hindi film songs, bells in bollywood songs, bells in hindi films, Bunty aur Babli, Dil to Paagal hai, Dost, Fanaa, Haath ki safai, Hindi film songs, Imtihan, Johny mera naam, Julie, Kati Patang, Main hoon na, Padosan, patriotic songs, R D Burman, Raja Rani, Satyam Shivam Sundaram, temple bells in film songs, Tere mere sapne, Upkar, Vidhaata, Warrant, whistle song, Whistles, Whistling in hindi films, Yeh Shaam Mastani | 9 Comments

Double delight with Fusion

Posted on March 30, 2015 by RSBAAB Ravi

In music, Fusion is usually associated with a performance that blends instruments from India or East with western instruments. Normally you would expect to hear a sitar or similar instrument being played as a lead to the beats of a … Continue reading →

Posted in Hindi film music, Orchestration and arrangements, Special themes | Tagged A R Rahman, Aadmi aur Insaan, Anu Malik, Apradh, Aulad, Chalti ka naam gaadi, Chitragupt, Don, Fusion, Fusion songs in Hindi films, Grammy awards, hindi film music, Hindi film songs, Humlog, I hate luv stories, jab prem ki azab kahani, Jatin-Lalit, Kalyanji-Anandji, lagaan, Main hoon na, Muqaddar ka sikandar, Padosan, Pritam, R D Burman, Ravi, Roshan, S D Burman, sarfarosh, Shankar-Ehsaan-Loy, Vishal-Shekar | 9 Comments

Enjoyable western beats

Posted on October 10, 2014 by RSBAAB Ravi

In my childhood, western beats fascinated me. The sound of Kishore Kumar singing Mere saamne wali from Padosan would make me run to the radio. The ‘imagined’ sound of a comb on a broom in the song was fascinating. But, even … Continue reading →

Posted in Hindi film music, Orchestration and arrangements, Special themes | Tagged Albela, Babla, bongo, conga, Dil deke dekho, drums, Ilayaraja, Innovative western beats, Johny mera naam, Kalyanji-Anandji, Manoranjan, Naushad, Padosan, Pancham, Pyaasa, Qurbani, R D Burman, roto drums, S D Burman, Saathi, Teesri Manzil, The train, Victoria no 203, Western beats, Yaadon ki baarat, Zanjeer, Ziddi | 6 Comments

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Tag Archives: Padosan

Southern Spice in Hindi Music

Orthodox RD Burman

Bells and Whistles

Double delight with Fusion

Enjoyable western beats

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