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Tag Archives: Haath ki safai
Bells and Whistles
“Bells and Whistles” is a popular English idiom. It means extra or fancy add-ons. For example, we often say “this phone or computer comes with many bells and whistles”; meaning a lot of extra features that may not be really … Continue reading
Posted in Hindi film music, Orchestration and arrangements, Special themes
Tagged Aarop, Anand, Bells, Bells and Whistles, Bells and Whistles in Hindi film songs, bells in bollywood songs, bells in hindi films, Bunty aur Babli, Dil to Paagal hai, Dost, Fanaa, Haath ki safai, Hindi film songs, Imtihan, Johny mera naam, Julie, Kati Patang, Main hoon na, Padosan, patriotic songs, R D Burman, Raja Rani, Satyam Shivam Sundaram, temple bells in film songs, Tere mere sapne, Upkar, Vidhaata, Warrant, whistle song, Whistles, Whistling in hindi films, Yeh Shaam Mastani
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Kalyanji-Anandji, the immortal duo
My earlier posts on Kalyanji-Anandji (see Kalyanji-Anandji in categories to your right) covered 5 different dimensions of their music. In this post, I will summarize notable films, songs, achievements and key recognitions that highlight their versatile talent. I will also … Continue reading
Posted in Great music directors - Hindi, Hindi film music, Kalyanji-Anandji, Orchestration and arrangements
Tagged Aamne Samne, Apradh, Bluff master, Dharmatma, Dil ne pukara, Don, duets of kalyanji anandji, Haath ki safai, Haseena maan jayegi, Himalay ki god mein, hits of Kalyanji Anandji, Jaanbaaz, Jab Jab phool khile, Johny mera naam, Kalyanji Virji Shah, Kalyanji-Anandji, Kasauti, Kishore Kumar hits, Kishore Kumar soulful songs, Kora Kagaz, Laawaris, Mere humsafar, Mukesh hit songs, Muqaddar ka sikandar, Paras, Purab aur Paschim, Purnima, Pyaase panchi, Qurbani, Saccha Jhoota, Safar, Saraswati Chandra, Sunehri nagin, Upkar, Vishwas, Zanjeer
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Top hits of Kalyanji Anandji, magical duets
In earlier posts on Kalyanji Anandji, I highlighted various facets of their music. First, I showcased their affinity for Mukesh and the many gems they composed specially for Mukesh. Next, I highlighted their mastery of string instruments and how they … Continue reading
Posted in Classical base in film music, Hindi film music, Kalyanji-Anandji, Orchestration and arrangements
Tagged Aamne Samne, Bairaag, Bollywood hits, duets, duets of kalyanji anandji, Geet, Haath ki safai, Hemant Kumar duets, hits of Kalyanji Anandji, Kalyanji Virji Shah, lata and mukesh duets, lata and rafi duets, Mere humsafar, Paras, Parivar, prelude music, Saraswati Chandra
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Evergreen Indian film music 